Thursday, January 13, 2011

Gender and Music

           In high school, I participated in two ensembles in which I was the only female. The first was a saxophone quartet. I absolutely loved this ensemble because our personalities and playing styles blended very well. We played a lot of difficult music, but it did not feel like work during rehearsals because the boys were so funny. One of them would do something ridiculous, and we would take about five minutes to regain our composure so that we could continue playing. The second ensemble I played in was at All-State Jazz. This was an interesting experience because the boys were all very talented, but they did not seem competitive of one another. They were respectful to each other and the clinician. The boys made breaks enjoyable by wearing their plungers on their heads and trying to screech the highest note they can possibly play on their instruments. Both these ensembles contained mostly males because males predominantly play the instruments in these settings. Even though I was the only girl in these groups, I did not feel discriminated against at all. My suggestions were appreciated, and I was even asked to present the plaque to the clinician.    
            Playing in various ensembles during high school has shown me that I am much more competitive with females than males. The girls in my band constantly complained that either one of the members in their section was playing the music incorrectly or that they wanted to beat their rival in the next chairs test. I never wanted to play in front of the girls in my band because I figured they would judge my playing ability. I enjoyed practicing with the boys because they were supportive and would challenge me.  
            Music is not as enjoyable in an all women setting as it was in a co-ed setting because there lacks a family connection. Rehearsals are efficient and run in a professional manner. This is how it should be, as this is a college not a high school band class. There are cliques of people, but there is not a sense of community. I do not enjoy playing next to only girls because I worry that I am being judged when I mess up. This self-consciousness especially pertains to seminar because I get offended when people make negative comments. I realize that they are only offering advice or observations, but I still get upset. I have a suggestion to help the Converse Wind Ensemble become closer. My high school band’s flute section was the only section that consisted of only females. One of the ways that the girls bonded outside of band class was an event called “Flute Day.” The flute players got together and painted T-shirts. It seemed like a great idea, and it really helped the girls get along better. Men help create a fun, less competitive environment in a music ensemble, but there are ways to help make a women’s ensemble just as enjoyable.    

7 comments:

  1. First of all, I agree - boys are more fun, not going to lie! In fact, I've found that I usually get along better with boys in regards to my friends. In any case, the wider mix of personalities brought on by having both sexes in a musical setting really tends to make things more lively. It's something I miss by being here at Converse.


    I agree with you about the difference in the rehearsal setting. Since we are adults now, rehearsals are professional. You get in, you get stuff done. There is something to be said about having a familial atmosphere - it promotes working toward a goal. Nonetheless, since we are by now mature musicians, we don't necessarily need that strong bond to create good music.

    And I hope you aren't nervous sitting next to me (I'm the bassoonist). :) I mess up all the time; it's part of the process!

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  2. I was the only girl in my saxophone quartet in high school too! I know what you mean when you say that guys can make rehearsals more fun, but now that I've been here for a while, I have noticed some positive things about playing in an ensemble with all girls.

    As for nerves, you're definitely not the only one. I used to get so nervous before I had to play in seminar or on recital. But I think you'll get more comfortable with it the more you do it - I know I did.

    And for what it's worth, I think you always sound awesome in seminar! :)

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  3. I agree with you on your belief that an all female environment can cause unnecessary tension when playing. Coming from a brass section dominated by goofy, teenaged men, I missed the jokes and light-hearted air of rehearsals and sectionals. (The positive is that here we actually rehearse. And, trust me, that's a great positive to have.) :) It's wonderful to be treated like a mature musician.

    As per your nerves - try to remember, in ensembles, that those sitting next to you have their own music to worry about. They're not as patronizing as it may feel.

    Promise. :)

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  4. Awwwwwwww! It kind of is the same thing as Chorale here. Singing with boys is so much more fun, and you don't feel the pressure of being the best singer. Here, girls can get pushy about their suggestions to "try" and make you sing better. Boys just let you sing your part because they have their own parts to sing. I hope we can do something to get closer to out musical family!

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  5. I find the fact that you are nervous about playing in front of all females intimidating very interesting...I promise you, none of us are perfect. I have never considered the fact that some instrumentalists/singers would find it uncomfortable performing in front of each other here, I guess this stems from my own feelings...so, thank you for reminding me to not generalize my own feelings to others.

    As far as being nervous playing in ensembles, I really can assure you that most of us are too absorbed in our own music to even think of judging you. Also, I really hope that I never come across to you as "judging" you...I mess up enough in rehearsals and performances so I would never have any room to judge.

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  6. I completely understand about worrying about being judged. I feel the same way a lot of the time. I also agree about males being much more laid-back, but I do like Erica's comment that we do rehearse and get things done. I have found that the all-women ensembles I've been in have been much more productive, but much more competitive and intimidating.

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  7. Thanks for your very honest comments, Emma. It's true--working in an all-female environment can be different, as can working in a collegiate environment after being in high school. Both have their challenges, but both also have their rewards.

    As for myself, I'm not sure I'd agree that women are more competitive than men (remember, I may teach at an all-women's college, but I'm chair of a department where all the other members are men), only that women and men tend to display their competitiveness in different ways. And do remember this--you can only be competitive with someone who's abilities you take seriously.

    We should get together and talk about seminar some time. Our goal there is to help build you all as musicians in as many ways as possible--actual playing technique, interpretive ability, public persona, pedagogical listening skills, etc. And we're trying to foster an environment where we're all helping each other--after all, I'd be in a serious predicament if I couldn't take suggestions from Chris seriously when we rehearse together, wouldn't I?

    At any rate, I'm really glad that you're here, and we should definitely talk about ways to make the all-women environment work in a more positive way for you.

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